Nina Noreskär’s practice is focused on the materiality of painting in an expanded field of sculpture and performance. It is a process-based, daily, experimental and methodical practice.
Painting can be a tool for many things and by applying it to different themes and places, it can move and change as a method and practice. Nina Noreskär’s work is collective, both within its non-hierarchal use of materials and also in its way to incorporate different possibilities of usage.
A painting can be placed on the floor as a kind of picnic blanket and create a social interactive space for conversation. It can be folded and put into piles not showing off at all. It can be unfolded by several persons. It can be rolled or just hang on the wall. These are all suggestions that are visible in Nina’s practice.